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Get Age rage and going gently : stories of the senescent subject PDF

By Oliver Davis

ISBN-10: 1429468025

ISBN-13: 9781429468022

ISBN-10: 9042020261

ISBN-13: 9789042020269

This wide-ranging learn appears to be like at how the aging technique has alternately been figured in and excluded from twentieth-century French literature, philosophy and psychoanalysis. It espouses a severe interdisciplinarity and calls into query the assumptions underlying a lot learn into growing old within the social sciences, paintings within which the disadvantages of growing old are virtually normally suppressed. It deals an incredible reappraisal of Simone de Beauvoir's nice yet ignored overdue treatise, l. a. Vieillesse, and offers the 1st large dialogue of a misplaced documentary movie approximately outdated age during which Beauvoir seems and which she helped to write down, prom AU can pay DE los angeles VIEILLESSE. wondering Beauvoir's personal particularly reductive interpreting of Gide's paintings on outdated age, this examine analyses the way his magazine and Ainsi soit-il test with quite a number representational types for the senescent topic. The stumble upon among psychoanalysis and getting older is framed through a studying of Violette Leduc's autobiographical trilogy, within which she means that psychoanalysis, to its detriment, easily can't enable getting older to indicate. This declare is confirmed in a severe survey of contemporary theoretical and medical paintings by way of psychoanalysts drawn to aging in France, the united kingdom and the USA. finally, Hervé Guibert's lately republished photo-novel approximately his aged great-aunts, Suzanne et Louise, is tested as a piece of intergenerational empathy and is located, furthermore, to be a tremendous assertion of his photographic aesthetic. Navigating among the extremes of fury ('age rage') and serene reputation ('going gently'), this research goals all through to ascertain the position which aging performs in formal, in addition to thematic, phrases in writing the lifetime of the topic

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32. 10 Commenting on Montaigne’s discussion of old age, Beauvoir admires ‘le regard direct et exigeant qu’il dirige sur une réalité qu’on s’efforce généralement de masquer’ (La Vieillesse, p. 170). Beauvoir’s book also aspires to this unflinching gaze and testifies to the difficulties involved in achieving it. As she says of Frans Hals’s painting, ‘The Regentesses’ (see cover), so too of her own work: ‘il n’exalte ni ne décrie la vieillesse: il cherche à saisir la vérité des visages qu’il représente’ (La Vieillesse, p.

It is a shift which perhaps reflects the increased dependence of elderly people on medical expertise, a greater desperation and a greater vulnerability at the hands of unscrupulous practitioners. Beauvoir’s La Vieillesse 37 difference in analytical perspective from the first part to the second also corresponds to a difference in the kind of writing and the material under consideration: broadly speaking, this may be characterized in terms of a split between the discourse of the social sciences on one hand and literary-philosophical discourse on the other; or, put differently, a split between gerontology and ontology.

148). 52 She then moves on to characterize the subjective experience of the older woman in terms of a feeling of depersonalization: Un des traits les plus accusés chez la femme vieillissante, c’est un sentiment de dépersonnalisation qui lui fait perdre tous repères objectifs […] ce n’est pas moi cette vieille femme dont le miroir renvoie le reflet. 53 Beauvoir is suggesting here that ageing, for women, necessarily involves alienation, a defensive splitting of the self into the ageless inner me and the ravaged outer shell.

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Age rage and going gently : stories of the senescent subject in twentieth-century French writing by Oliver Davis


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