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Download PDF by Tracie Church Guzzio: All Stories Are True: History, Myth, and Trauma in the Work

By Tracie Church Guzzio

ISBN-10: 161703004X

ISBN-13: 9781617030048

ISBN-10: 1617030058

ISBN-13: 9781617030055

In All tales Are actual, Tracie Church Guzzio presents the 1st full-length examine of John Edgar Wideman's whole oeuvre so far. in particular, Guzzio examines the ways that Wideman (b. 1941) engages with 3 the most important themes-history, fantasy, and trauma-throughout his occupation, displaying how they intertwine. Guzzio argues that, for 4 a long time, the influential African American author has endeavored to create a model of the African American adventure that runs counter to mainstream interpretations, utilizing background and delusion to confront after which heal the trauma attributable to slavery and racism.Wideman's paintings deliberately blurs obstacles among fiction and autobiography, fantasy and historical past, relatively as that historical past pertains to African American event in his place of birth of Pittsburgh, Pennsylvania. The fusion of fiction, nationwide historical past, and Wideman's own existence is attribute of his variety, which-due to its complexity and smudging of style distinctions-has provided analytic problems for literary students. regardless of successful the PEN/Faulkner award two times, for despatched for You the day gone by (1984) and Philadelphia hearth (1990), Wideman is still under-studied.Of specific price is Guzzio's research of the numerous ways that Wideman alludes to his prior works. This intertextuality permits Wideman to have interaction his books in direct, intentional discussion with one another via repeated characters, pictures, folktales, and songs. In Wideman's hard of a monolithic view of heritage and offering substitute views to it, and his permitting earlier, current, and destiny time to stay fluid within the narratives, Guzzio unearths an writer enterprise in his thought that every one tales and all views have advantage.

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Extra resources for All Stories Are True: History, Myth, and Trauma in the Work of John Edgar Wideman (Margaret Walker Alexander Series in African American Studies)

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83 These silent places or gaps in Wideman’s work may also refer to blanks on the page, inviting the reader to make meaning; this is also the relationship the writer has with his or her own writing. ”84 Breaks, fissures, and gaps occur so frequently in Wideman’s work that these Monk-like pauses often bedevil some readers who approach his writing and frighten off many but the most intrepid readers (especially in a work such as Philadelphia Fire or Fanon). 85 The result is not only a text that is structured by many narrative voices, but also one that allows multiple conversations between text and reader and history.

51 By the end of the years of the Black Arts Movement, African American writers continued to be engaged by the possibilities of historical revisionism. ”52 The 1960s and 1970s were also the era of postmodernism’s rise as a philosophical phenomena, ushering a general critical examination of history and historiography by writers and scholars. For some artistic inheritors of the European tradition, a consciousness of historical subjectivity or “metahistory” did not redress the historical record. “ALL STORIES ARE TRUE”: PALIMPSESTIC STORYTELLING 25 Instead, such awareness produced disillusionment.

63 Wideman further suggests that he is conscious of his polyvocality and the simultaneous play of multiple discourses in his texts. ”64 What we see in Wideman’s work is a revisioning of the term, the form, and the genre of history and its claims to objectivity itself. , etc. . A kind of collage . . ”66 We can perceive this texture, the weaving or imbrications, of discourses, voices, and stories even in Wideman’s earliest novel, A Glance Away, where he balances modernist stream-of-consciousness, scatting, French, and song lyrics.

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All Stories Are True: History, Myth, and Trauma in the Work of John Edgar Wideman (Margaret Walker Alexander Series in African American Studies) by Tracie Church Guzzio

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