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Jeremy Dauber's Antonio's Devils: Writers of the Jewish Enlightenment and PDF

By Jeremy Dauber

ISBN-10: 0804749019

ISBN-13: 9780804749015

Antonio’s Devils offers either traditionally and theoretically with the origins of contemporary Hebrew and Yiddish literature by means of tracing the growth of some outstanding writers who, for varied purposes and in a variety of methods, mentioned Scripture for his or her personal goal, as Antonio’s “devil,” Shylock, does within the service provider of Venice.By studying the paintings of key figures within the early historical past of Jewish literature in the course of the prism in their allusions to classical Jewish texts, the publication focuses recognition at the very good and hugely complicated thoughts the maskilim hired to accomplish their polemical and ideological targets. Dauber makes use of this system to envision foundational texts via many of the Jewish Enlightenment’s finest and demanding authors, achieving new and infrequently superb conclusions.

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Extra info for Antonio's Devils: Writers of the Jewish Enlightenment and the Birth of Modern Hebrew and Yiddish Literature (Stanford Studies in Jewish History and C)

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12. David G. Roskies, “The Emancipation of Yiddish,” Prooftexts 1 (1981), 28–42, 31. , The Midrashic Imagination: Jewish Exegesis, Thought, and History (Albany, NY: State University of New York Press, 1993), 6–22, 11–12. 13. See Eliezer Schweid, “The Impact of Enlightenment on Religion,” Judaism 38:4 (1989), 389–98, esp. 392. 14. Indeed, Roskies characterizes maskilic technique as “creative betrayal,” describing the maskilim as “wolves in shepherds’ clothing . . ” David G. Roskies, A Bridge of Longing: The Lost Art of Yiddish Storytelling (Cambridge, MA: Harvard University Press, 1995), 6, 17.

He insists on severe and inXexible justice, and it at last recoils on his own head. ”72 We have argued for Shylock as archetype and allegory, and indeed in the early modern period, much of modern Jewish history, and certainly modern Jewish literature, reXects precisely the factors adumbrated in this brief scene. Both broadly and in greater detail, this book 71. Gross 211. 72. Cited in Gross 213. Antonio’s Devil traces the origins of modern Jewish literature by following the progress of a few remarkable individuals who did, for various reasons and in various ways, cite Scripture for their own purpose.

See, for example, John Middleton Murray, “Shakespeare’s Method: The Merchant of Venice” in Wheeler 37–57, esp. 42, and Gross’s description of the atmosphere of the play as “half-romantic, half-naturalistic” (17). This said, the parameters that dictate the shape and Xow and the type of fairy tale told are themselves historically conditioned. 44. Shapiro 6. 45. Cecil Roth, History of the Jews in England 145; cited in Danson 58. 46. Shapiro 41. 47. See Shapiro 137. 48. On Broughton, a fascinating Wgure who refused “to dismiss Talmudic and other rabbinic authorities out of hand,” but did so in order to “facilitate the conversion of the Jews,” see Shapiro 147–149.

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Antonio's Devils: Writers of the Jewish Enlightenment and the Birth of Modern Hebrew and Yiddish Literature (Stanford Studies in Jewish History and C) by Jeremy Dauber


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