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Arno Schmidt's Zettel's Traum: An Analysis (Studies in by Volker Max Langbehn PDF

By Volker Max Langbehn

ISBN-10: 1571132619

ISBN-13: 9781571132611

ISBN-10: 1571136266

ISBN-13: 9781571136268

Arno Schmidt (1914-1979) is taken into account some of the most bold and influential writers of postwar Germany; the Germanist Jeremy Adler has known as him a massive of postwar German literature. Schmidt was once offered the Fontane Prize in 1964 and the Goethe Prize in 1973, and his early fiction has been translated into English to excessive severe acclaim, yet he isn't a well known determine within the English-speaking international, the place his complicated paintings is still on the margins of severe inquiry. Volker Langbehn's e-book introduces Schmidt to the English-speaking viewers, with basic emphasis on his most renowned novel, Zettel's Traum. One reviewer referred to as the e-book an elephantine monster due to its unconventional dimension (folio format), size (1334 pages and over 10 million characters), and specific presentation of textual content within the type of notes, typewritten pages, parallel columns, and collages. the unconventional narrates the lifetime of the most characters, Daniel Pagenstecher, Paul Jacobi and his spouse Wilma, and their teenage daughter Franziska. In discussing the lifestyles and works of Edgar Allan Poe, the 4 interact within the difficulties attached with a translation of Poe. Langbehn's research investigates how literary language can mediate or account for the realm of stories and for ideas. Schmidt's use of unconventional presentation codecs demanding situations us to investigate how we expect approximately examining and writing literary texts. rather than viewing such texts as a illustration of fact, Schmidt's novel destabilizes this unquestioned mode of illustration, posing an intensive problem to what modern literary feedback defines as literature. No entire research of Zettel's Traum exists in English.

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On the contrary, time resists self-representation since it is through linguistic representation that time eludes certainty, playing on the recurring notions of presence and absence. Since the primary presence remains inaccessible to consciousness, Schmidt’s notion of intertextuality appears as an attempt to represent the remembered fragments of the past — displayed in Zettel’s Traum as discontinuous forms and tropes — as a multi-perspectival view of the images and symbols of history. Poetic language, in line with Schmidt’s strategy of inserting declared and tacit quotations, provides the ultimate vehicle for this discursive representation of temporality through multiple perspectives.

Since the primary presence remains inaccessible to consciousness, Schmidt’s notion of intertextuality appears as an attempt to represent the remembered fragments of the past — displayed in Zettel’s Traum as discontinuous forms and tropes — as a multi-perspectival view of the images and symbols of history. Poetic language, in line with Schmidt’s strategy of inserting declared and tacit quotations, provides the ultimate vehicle for this discursive representation of temporality through multiple perspectives.

With his crude slum naturalism Schmidt becomes the champion of “improper expression” and vulgarity in their most extreme forms, aligning himself with the tradition of the sixteenth century so well docu114 mented by Rüdiger Zymner’s study. Dan Pagenstecher speaks of “rectangular obsceneties” (ZT 1003), and of masturbation by quoting “ne Englische Autorität: ‘Youthful masturbation may be regarded as a a normal safety= vu lve; and there is nothing pathological about it, if carried on in moderation” (ZT 955a); by referring to Freud, he views the shooting maneuvers of the German army as “FäkalienSymbolik” because “schießen=scheißen” are typical of a “etwas=merkwürdije Männtollität” (ZT 795).

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Arno Schmidt's Zettel's Traum: An Analysis (Studies in German Literature Linguistics and Culture) by Volker Max Langbehn


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